REVIEW ☆ Schwindel Gefühle

SUMMARY È E-book, or Kindle E-pub ´ W.G. Sebald

SUMMARY È E-book, or Kindle E-pub ´ W.G. Sebald Signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn An unnamed narrator beset by nervous ailments is again our guide on a hair raising journey through the past and across Europe amid restless literary ghosts Kafka Stendhal Casanova In four dizzying sections. Hmmthis is a tough one and still don't know just uite what to make of it I Could sit on it for 24 hours and reach a different conclusion but while it's fresh in my mind I settle for now And speakings of minds Sebald going by this certainly had an imaginative one made up of fragmented memories from his youth and historical meditation swirled with fantastical events from an overview of the life of Stendhal in 19th century Italy The positives from Vertigo far outweigh the negatives but I so wish it had either been an ingenious novel of vast proportions or a travelogue memoir solely based on fact it mixes both with mixed results It has given me vertigo a sensation of whirling and loss of focus I wish I had a feeling of euilibrium because reviewing this is not going to be easyA ghostly figure which I will call Sebald's doppelganger takes off from England to travel via the streets of Vienna Venice Milan Verona and Innsbruck finally ending the journey in the German village of W Wertach his family home Driven by a hypnotic prose which was seriously good Sebald the narrator takes readers on an almost spiritual pilgrimage bending his own thoughts from places visited in the past and the felling it evokes inside of him Some pages contain old photos and drawings that accompany the text this just adds to the feeling of buried thoughts and periods in the past some are blurry but then so was Sebald's mind Kafka on a bus his link with a pizzeria in Verona the image of Ludwig of Bavaria floating by in a vaporetto in Venice the mythical figure of Gracchus the huntsman and an ancient war entrancingly are spellbound into Sebald's vision His wondering travels conjure up some wondrous landscapes through Italy and are beautifully descriptive casting bewilderment and daze In a moment of confusion whilst in the Milan Cathedral he would all of a sudden no longer have any knowledge of his surroundings unable to determine whether he was in the land of the living or already in another place having a force of uncertainty that pervades everything around him This sums Vertigo up in a nutshellVertigo is not the type of book to put your feet up and relax to on the contrary it stimulates the mind gets you thinking puzzles and dazzles likewise to a degree this reminded me in some ways of calvino's Invisible Cities for the way it wraps you in a magical blanket But Sebald writes with a melancholic and haunting tone There is sadness within especially towards the endThere is a problem though of piling up too much detail and jumping from thought to thought that felt increasingly random and obliue In terms of the readers there are no hints about the points he was trying to raise I don't want to call than 50% of it's content as self indulgent but not to lie it was I can understand the whole dislocation from reality thing but it didn't fully grasp meAnd this coming from someone who generally does not use criticism in reviews always looking rather for the good things and there are plenty here But one must be honest with ones self otherwise doubt over ones ability to judge fairly is bought into uestionA good solid three stars is the best I can do

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REVIEW ☆ Schwindel Gefühle ó [PDF / Epub] ❤ Schwindel Gefühle ✅ W.G. Sebald – Horticulturetrader.co.uk Vertigo W G Sebald's first novel never before translated into English is perhaps his most amazing and certainly his most alarming Sebald—the acknowledged master of memory's uncanniness—takes the p Vertigo W G Sebald's first n The narrator plunges the reader into vertigo into that swimming of the head as Webster's defines it in other words into that state so unsettling so fascinating and so stunning and strange as The New York Times Book Review declared about The Emigrants that it is like a dream you want to last forev. I find the wonderful German writer WG Sebald so difficult to review that my treatment of his second novel The Rings of Saturn was no than a long story about a trip I once made with my then partner to her home in Cornwall during which mostly on account of her parents I lost my mind and my girlfriend I’m not of course going to go over all that again and I couldn’t even if I wanted to for I have forgotten much of what took place; yet the disuieting thing is that what I can recall or bring back I now doubt the veracity of For example my girlfriend’s parents were very rich but I am sure that it is not the case that their admittedly large home was backed by an even larger field in which wild horses ran; yet that – the field the horses the house – is my strongest memory of the week I spent in CornwallSome years ago I was at college and my philosophy teacher told me a story about how he moved to the Czech Republic on a whim so to speak in order to be with a Czech girl he had met whilst she was on vacation in England When he arrived at her house she showed him in and explained that he ought to say hello to her father He agreed and so she directed him to climb the stairs where her father could be found in the first room on the right My teacher may have found this odd but in any case he climbed the stairs and entered the room and there he saw the old man sitting in a chair listening to Wagner with tears streaming down his face Now this did not happen to me I know that well enough so why is it that this memory now seems as though it belongs to me Why is it that I am able to put myself in that situation in place of my teacher and see not what he saw but my own version of it with as much assurance as anything that has actually happened to me in my lifeAs I sit here and think about those two trips one to Cornwall and one to the Czech Republic both of which are a strange mixture of fantasy and fact the proportions of each unknowable to me I feel extremely disorientated This disorientation is I believe what Sebald called vertigo a state that is characterised by the difficulty or a belief in the difficulty of putting one’s feet on the ground of being sure of yourself and of the world around you It is this mental and physical state that Sebald writes about in this book the first of his four great novels In it he tells a series of anecdotes and stories involving both fictional characters and real people including himselfSebald’s first vertigo sufferer is Marie Henri Beyle who we are told was a soldier in Napoleon’s army; he was also a writer and is better known as Stendhal Throughout his life Beyle’s memories and perceptions according to Sebald consistently played tricks on him For example he was convinced that the town of Ivrea through which he once passed would be indelibly fixed in his mind only to find some years later that what he actually remembered was nothing but a copy of an engraving called Prospetto d’IvreaBeyle writes that even when the images supplied by memory are true to life one can place little confidence in themFor Beyle the distinction between truth and fiction reality and imagination was tenuous at best Probably the most wonderful the most moving anecdote Sebald shares with us in this regard involves Beyle’s relationship with a possibly imaginary woman La Ghita Beyle writes Sebald claimed to have been travelling with La Ghita to have had involved conversations with her and to have eventually broken from her and yet there is no definitive proof that she ever existed; in fact the likelihood is that she was a composite of numerous women the Frenchman had knownAs with all of Sebald’s work in Vertigo he is concerned with melancholy outsiders or eccentrics Most people do not have a troubled relationship with reality like Beyle does but the few that do tend to not be particularly happy or mentally stable This appears to be borne out when at the beginning of the second section of the novel Sebald or the narrator who so closely resembles Sebald discusses his own mental breakdown which occurs when travelling through Vienna Milan Verona Venice and Innsbruck The narrator’s vertigo manifests itself as a kind of dread or neurotic fear and by a sense of the uncanny For example at one point he tells the story of Casanova’s imprisonment and notices that the day the Italian had set for his escape is the day that he Sebald had visited that same prison Doge’s Palace When he leaves each town or city he does so as though trying to outstrip his anxiety as though he is on the run from himself and possibly the two shadowy figures he believes may be following him In the second half of this long second section Sebald returns seven years later to make the same trip and visit some of the same places This trip is a tour of his memories of those places as much as it is an actual tour of themLike Beyle Sebald is hyper sensitive; the things that he reads and the art that he engages with often break into reality the everyday world is often transformed by his imagination or madness At one point in the book he thinks that he is following Dante at another he mentions that he was once convinced that a black limousine driver was Melchior one of the three magi or wise men Throughout there hangs over the book the uestion What is reality Are Sebald’s strange experiences reality Instinctively one would want to say no because Dante was dead at the time the narrator claims to have seen him and yet for me the issue is far from clear cut; what someone experiences regardless of how impossible it may may seem is their reality is as real as anything we would accept without raising an eyebrow The truth of the world I once wrote is like a cloud of blue smoke on a windy dayOver the years I had puzzled out a good deal in my own mind but in spite of that far from becoming clearer things now appeared to me incomprehensible than ever The images I gathered from the past i said the unlikely it seemed to me that the past actually happened in this or that wayAccording to many of the reviews and articles I have read Vertigo is the weakest of Sebald’s four novels but that is not an opinion I share; for me The Emigrants is the least engaging of the bunch However what does distinguish this novel from the others and perhaps accounts for some of the indifference towards it is that it wears its influences brazenly Sebald’s other work all tastes subtly of Marcel Proust and Jorge Luis Borges but here the flavour is very very strong The prose style involving long complex sentences with multiple clauses is recognisably Proustian; and some of the ideas contained within Vertigo are not only similar to some of those found in In Search of Lost Time but actually appear in it Further the structure of this book in comparison with Austerlitz and The Rings of Saturn in particular is far from sophisticated For example while the opening Beyle section is thematically connected to the rest of the work it still essentially stands alone Later in his career Sebald would work his anecdotes and stories into his overall narrative and that gave them a satisfying flow that Vertigo does not haveYet there are also positive aspects of the book that one will not find in Sebald’s sophisticated work First of all it is at times pretty funny There is a refreshing lightness of touch or lightheartedness in certain passages Two incidents stand out or me in this regard there is Sebald possibly getting hit on in a bar in Italy and a scene on a bus when he spies two kids who he thinks are dead ringers for Franz Kafka Here our intrepid narrator approaches the boys and their parents but receives a frosty reception; he asks for a photograph of the children but is turned down They probably thought I was a pederast Sebald notes Ha Martin Amis once said that all great writers are also comic writers and I believe there is some truth in that A comic writer does not have to mean someone like PG Wodehouse but for me and Amis too includes the likes of Tolstoy and Kafka The idea is that if you understand the world and the human condition you cannot help but be on occasions funny because life is funny; so it pleases me that Sebald has shown that he too could be humorous The story of the Kafka kids also highlights another pleasing aspect of Vertigo which is that it is obviously fictional than the novels that came after it One may in fact see that as a negative but it was nice in my opinion to encounter a relaxed Sebald one trying stuff out even some goofy stuff

W.G. Sebald ´ 9 REVIEW

Schwindel GefühleVertigo W G Sebald's first novel never before translated into English is perhaps his most amazing and certainly his most alarming Sebald the acknowledged master of memory's uncanniness takes the painful pleasures of unknowability to new intensities in Vertigo Here in their first flowering are the. Vertigo is about properties of human mind and memory and the story goes as a sudden paroxysm of dizzinessover the years I had puzzled out a good deal in my own mind but in spite of that far from becoming clearer things now appeared to me incomprehensible than ever The images I gathered from the past I said the unlikely it seemed to me that the past had actually happened in this or that way for nothing about it could be called normal most of it was absurd and if not absurd then appallingIt is a tale about that strange occupation we call livingMme Gherardi maintained that love like most other blessings of civilisation was a chimaera which we desire the the further removed we are from Nature Insofar as we seek Nature solely in another body we become cut off from Her; for love she declared is a passion that pays its debts in a coin of its own mintingBetween sanity and madness there is but a step One step beyond